BreakInBox: Blue & Black | Review

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BreakInBox Review | Three locked boxes one inside the other. Breakinbox Challenges weave together versatile knowledge worlds making the solution a complex unique experience.

Date Played: July 2023
Number of Players: 3
Time Taken: ~20 – ~60 minutes
Difficulty: Easy-Medium

I always get extra excited when I received puzzle games from far flung countries around the world, and Israel is a new one for me… Well, I’ve played a digital game or two from there – but never a physical one. How exciting! So when not one but two boxes from BreakInBox showed up, I couldn’t wait to get my regular group of puzzlers over to try something a little different.

BreakInBox is a company who specialises in perhaps the ‘purest’ form of tabletop puzzle games. They are quite literally locked boxes. Yep, you read that right. A cube with a padlock. Inside that locked cube is another cube with another padlock. You’ll never guess what’s inside that one: Another cube… With another padlock! In this way, you progress through a Matryoshka Doll- style experience, unlocking three layers of unique puzzles. Whilst each layer is locked with a padlock, the puzzles themselves are found printed on all the sides of each box. In this way, you’re encouraged to pick up and manipulate the boxes in your hands – turning them over and examining each one closely.

We played through two of the games available:

The Blue Box
The Black Box

As such, we’ll be writing about both in this review. There are some generalisations between the two, and there were some major differences. For example one of the boxes had more linear puzzles – one meant to be completed after another. The other on the other hand had much standalone puzzles that the three of us could tackle simultaneously. Similarly, one of them involved a unique sound puzzle – and the other had you send an email, which was exciting.

When the website explained the difficulty levels – they weren’t wrong. Blue is meant to be much easier, for beginner puzzlers, and black is meant to be a real head-scratcher. And yep, that’s absolutely right. We breezed through blue in around 20 minutes. Black on the other hand took all three of our collective brain power working together (and a clue or two) to crack the codes!

So, without further adieu, lets get into it:

The Blue Box

We played ‘The Blue Box’ over an evening and a couple of beers. It was sandwiched between a few other puzzle games, and it provided a very welcome break with some lighter, intuitive puzzling. In all, the Blue Box took us around 20 minutes. We think it would take the average puzzler around 30 minutes – but as mentioned, we erred on the side of “working simultaneously on all puzzles” where we could.

As such, it definitely felt more entry-level, but in a satisfying way with some particularly creative puzzles I always enjoy seeing in tabletop games like this.

The puzzles required the use of the internet. In particular, this box asks you to send an email in order to receive your next step digitally. In another way, the game also required the internet as there’s some pretty niche trivia knowledge needed – but thankfully there’s no rule against not Googling things. Unless you’re an absolute pub quiz boffin, it’s good to have your phone nearby to check some obscure detail or two.

The Black Box

We were so confident after playing the Blue Box we were all like “ahaha, this’ll be a breeze”. Oh how wrong we were. The creator, Avi, wasn’t wrong when he said to play the Black Box second because it’s significantly harder. But with the added difficulty, came the added fun. Of the two, we really, really enjoyed the second one. Each puzzle felt like a real mental workout.

In particular, I really enjoyed this game’s use of the internet. There was a fun sound-puzzle, and several puzzles which required us to absolutely scour Google Maps for very hard to find details! There was a nod to the UK we found particularly charming. But in general, it was the fact this box had so many satisfying ‘aha moments’ that scratched the itch of the kind of puzzles we love playing. As a team of three, we find ourselves taking part in a lot of online puzzle hunts, and this felt like a self-contained version of one of those – and well clued at that too.

Both Boxes

In both experiences, there isn’t so much of a “story”, other than “here’s a mysterious box, good luck”. As such, even the puzzles felt “pure” in a way I can’t quite describe in any other way. They’re like puzzle-hunt puzzles – the best versions of themselves, without being held back with the need to fit into context. For me, the puzzles were the best thing about both experiences, and I almost think there’s a certain charm to the fact they haven’t gone for story-heavy. There’s no right or wrong answer, but since The Escape Roomer always consider the story and narrative, it has to be mentioned.

In terms of quality, BreakInBoxes are simply made – with the most ‘high tech’ things being the user interface on the internet, and the three-digit locks that close the boxes. Otherwise these boxes are light-weight, and simply built, with simple graphics and colours. They’ve taken the phrase “Less is More” to heart, but in a way that feels true to their brand.

In both experiences, we also received a little bonus treat at the heart of the three boxes – the less I say about this the better! But it was super fun finally getting through to the ‘finish line’ and finding something fun waiting there. In this way, I think BreakInBox has a unique edge in the market in that it’s fully resettable and replayable – but better than that, because if you planned to gift this on to someone else you could put whatever you want inside the box. You could fill it with sweets, or a prize, or even a birthday gift..! Cute!

Last but not least, in terms of value, this one is a little harder to quantify. It’s another thing we always consider at The Escape Roomer. BreakInBox is based in Israel, but they have a shop listed in USD for international customers. Each box is around $35 USD, so about £30. Shipping comes in at $13.80, making the whole cost of a single box just under £40. Now, this is a little steep – but given the *gestures vaguely at the world* current cost of living crisis, it tracks about “what these things just cost these days”. We had a lot of fun with the two boxes we played. But did we have £40 x 2 fun? Well, I’m not sure… Maybe? Perhaps?

The Verdict

The verdict? We did have a lot of fun playing this one. The Black Box slightly more than the Blue Box, but there isn’t too much difference in it – both games are good for their respective audiences, and I commend the designers for creating such an experience like this. It’s probably slightly more expensive compared to a few other comparable games, but the puzzles are delightful and unique in their application, so I wouldn’t hesitate to recommend it. In particular, the Blue Box would be great for a younger / less experienced audience. The Black Box is for more hardcore puzzlers who want a real challenge! I haven’t yet played the others in the series, but I imagine they’re well placed on the scale between these two.

The BreakInBox set can be purchased by heading directly to BreakInBox’s website here. The Escape Roomer readers may also use the code: TheER23 to receive $5 off their order.

We were not charged for our games, but this does not affect the content of our review.

The Locksmith’s Dream | Review

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“The Locksmith’s Dream is a series of genre-defying, immersive overnight experiences filled with narrative delights and magical puzzles. Step into a 17th Century manor house seemingly trapped in the 1920s. Unravel the narrative mysteries, solve puzzles and enjoy the unique atmosphere of the house and its grounds. Join fellow guests in sifting through the history of the house and previous inhabitants, supported by the curious staff who seem deeply connected to the property. Dine by candlelight in opulent oak-clad halls and as night falls, don your unique mask to wander in the strangeness of ‘The House of the Moon’.” – from The Locksmith’s Dream website.

Date played: April 2023
Time taken: 12 hours (including overnight stay)
Number of players: 2 in my party (22 guests overall)
Difficulty: Moderate-Hard

Photos in this review (c) The Locksmith’s Dream or Karen Myers

Everything about The Locksmith’s Dream is otherworldly. A curated luxury immersive overnight experience, it has its home in Treowen, a gloriously creaking pile of a 17^th Century manor house in the marchlands between England and Wales. And just as the house is trapped between two countries, the story it tells is trapped between, or maybe entirely outside, time(s). As an arriving guest you are very much of the modern world, but step inside ancient Treowen and you’ll find your genial, generous hosts appear forever frozen in a hazy 1920s vibe. But in The Locksmith’s Dream nothing is ever quite as it might first appear. Within Treowen’s walls are a myriad mysteries to unravel. Where you start, what questions you ask, what puzzles you attempt to solve is entirely up to you.

What is The Locksmith’s Dream?

Like the ‘between times’ nature of the house and the narrative it contains, the event itself is liminal and elusive. It slips between genres, playfully evading definition and refusing to be trapped by conventional labels. There are elements that are escape room or scavenger hunt-like, with keys to be sought and riddles to be solved, but it is neither entirely an escape room or a scavenger hunt. There are elements that borrow from the Punchdrunk brand of immersive theatre, where you can follow and interact with a character to piece together their personal narrative and their place in the mystery, but it is also not that alone. And although I’ve never LARPed, there are some influences from that world too, where you can inhabit an identity of your own to engage with the cast. And yet it’s not fully a LARP either.

So what is it? It’s impossible to define, but playfully and deliberately so. Choosing to exist between genres, there is an angle here for almost anyone who enjoys puzzles, immersion, direct performer interaction, mysteries, narrative complexity and exploration.

No, But Seriously, What Is It?

Ok, look, the world-building for this event is outstanding. The depth of detail involved in creating the mythos that exists within the mysterious walls of Treowen is immense, and crafted with passion, affection and intelligence. It is, quite simply, mind-blowing and overwhelming. So to try and explain what ‘it’ is within the confines of this review would do it a severe disservice and be at risk of being spoiler-heavy but a bare bones precis might go something like this:

Treowen exists on a threshold between worlds, and sometimes secret gods, known as the Hours and who appear in the form of birds, converge on the house to trade secrets in a meeting known as ‘the Roost’. When they depart, they leave behind “divine gossip and treasures” or ‘birdsong’. Your arrival at Treowen in the immediate aftermath of ‘the Roost’ has been arranged by a sponsor from an occult organisation who finds value in this birdsong. It is your job, once inside the house, to search it out, in any of its myriad forms. And when you find it you have a choice to make – to assign it to your sponsor who may use it for good or ill, or maybe you can trade it for information, a secret or an insight.

Physical ‘birdsong’ aren’t the only secrets hidden around the house. Treowen is staffed by a curious band of characters – from attentive butler, Hawthorn, to the wily but circumspect Inspector of the Suppression Bureau, from the dusting-obsessed servant, to the excitable but oh-so-sad Curator. They all have their own stories, woven into the very fabric of the house, and while they hold their own mysteries close they can often be persuaded to part with a detail or two if you take the time to chat, gently easing away at least part of their masks. Even those who have long left the house leave secret traces that endure – your occult sponsor might want physical birdsong but they might also like you to uncover what happened to previous residents, some of whom have met mysterious ends.

And just when you think you’ve found your bearings in this complex puzzle box of a house, night falls and, after a delicious 7 course feast of a candlelit dinner, you are invited to don the mask provided by your sponsor and explore the house anew. Because in ‘the House of the Moon’ so many things are oh so very different.

Throughout Treowen and throughout the 24 hours of your stay, enigmas and conundrums surround you on so many levels. And this is where The Locksmith’s Dream is unique to any other immersive experience I have taken part in. The path you choose to take through the event is entirely up to you. You can spend your time searching for the physical puzzles that litter the house, where every nook and cranny, every uneven floorboard and knot in the woodwork could hide a key or a riddle or a puzzle box waiting to be unravelled. There are a whole host of props and paperwork to engage with and peruse, from your own personal, leather-bound journal (which warrants careful attention!), to letters and guest books and dolls houses and chessboards and paintings, all of which may reveal a delicious sliver of information. Or you can mingle with the staff and other guests, ask some canny questions, share a joke or a moment of kindness and learn a secret or two about the house and its residents. Every conversation can unwrap another layer of the narrative and even mealtime encounters might open a new door or two. And if any of the above sounds just too darn exhausting, then you could, if you wished, retire to the inhouse bar for the entire time and just drink the cocktails while admiring the countryside views. In short, there is no right or wrong way ‘to do’ The Locksmith’s Dream. The options are multiple and the opportunities are endless.

It is easy to be bewildered by the complexity of the world created inside Treowen. There is a lot to get your head around as so much detail has been poured into every angle of the narrative and the puzzling. To get the most out of it, if you want to be fully immersed and engaged, then taking time to read and digest all the documents and paperwork you are given is key. I often fail at this in escape rooms when I’m so keen to get on to the puzzles that I ignore the narrative and skim read documents. But everything is so carefully woven together into one cohesive whole in The Locksmith’s Dream that soaking up the detail will pay huge dividends as you explore.

And when documents and written detail aren’t giving you the answers you need, it is the superb cast who step into the breach. The actors who flesh out the weird and wonderful staff of Treowen are supreme. Masters of nonchalant improvisation, the team of performers remain in character from the moment you arrive to the moment you depart. They seem entirely inbuilt into the fabric of the house and remain unphased by being asked the most obtuse and obscure of questions while they are also trying to pour you a cup of tea or make you a cocktail. Because these guys really do do everything – carry your bags to your rooms, serve tea and coffee, pour your wine and remember complex, arcane details about ancient rituals and the indepth back stories of the chamber maid.

While Treowen is a stunning, magical location and the narrative world-building complex and rich, it is the actors who make it all so very, seductively, real. Particular kudos to Emily Carding as the Curator, who was by turns all giddy excitability then heartbreaking loss. Her mournful breakfast monologue over the fate of a teaspoon was devastating. While my friend and I failed on so many levels to complete most of the challenges posed by the Locksmith’s Dream our one success was on a task for the Curator and her reaction to our resolution provided one of the most blindingly bonkers but wonderful and warm encounters of the whole weekend. The cast gathered together for this event is definitely one hell of a Locksmith’s Dream team.

But What Do I Get?

To book a place in the Locksmith’s Dream you chose one of Treowen’s 11 unique bedrooms, distributed across the top 3 floors of the house, from the smartest on the first floor to the attic spaces on the top floor. That bedroom comes with an identity – one assigned to you by your occult organisation sponsor – along with a letter from your sponsor and a series of tasks to complete (if you so wish to of course, you could ignore them completely). You’ll get a small leather bound journal full of information and space for note taking (essential!), masks to wear for the ‘House of the Moon’ event and a pin badge (who doesn’t love a pin badge) identifying your sponsor. You also get a delicious lunch on arrival, a small but perfectly formed afternoon tea, a seven course fine dining feast in the evening (including wine), a hearty breakfast the following morning and, most extraordinary of all, 24 hours of magical immersive fun.

The Locksmith’s Dream is a rarefied event – there is a large price tag, but that price envelops so many layers, experiences, details and engagements that just aren’t happening anywhere else in the UK at the moment. Having thrown myself at most immersive events that have taken place in the last ten years, I can honestly say that I’ve never experienced anything like this. It is impossible to define and impossible to compare to other immersive events, escape rooms, puzzle hunts or similar to match price points. It’s just not like anything else.

The only niggle I’d have about this whole weekend, is that while the house is historic and fascinating and gorgeous, it is also so old and protected the amenities aren’t luxury in the ‘luxury hotel’ meaning of the word. Our room in the attic (‘Seraphim’) was lovely with exposed beams and sloping floors but our twin beds were very narrow and our bathroom shared with another bedroom was a tiny cubicle with only just space for a shower and a toilet. It is not something that would put me off returning and it didn’t stop us having huge amounts of fun (especially as we spent very little time in our room) but it is something to be aware of if the price point is above your normal budget so you can manage expectations.

A Dream to return to?

The Locksmith’s Dream clearly has a potent pull. Several other guests who shared our weekend were returning for their second visits and still finding new layers to uncover and puzzles to explore. The venue is seductive enough to call you back and, especially if you’re a completist, the sense of so much left undiscovered is a powerful draw to consider a return visit. There are just so many different angles and avenues to take that no-one, not even the speediest of searchers or riddle-solvers, could do everything within one weekend.

The Locksmith’s Dream is unique. It is special. It is bewildering and magical and frustrating and exhilarating and sad and hilarious. It is laden with puzzles. It is a joy to explore and search. It is peopled with endearing, multi-layered characters performed by masterclass performers. It will not be everyone’s cup of tea (no matter how well Hawthorn the butler makes it) but for those who are willing to step outside the tedium of modern life and engage with the mystical and the magical, to suspend disbelief and be fully immersed, it will be an unforgettable, bewildering, intoxicating dream come true.

The Locksmith’s Dream can be booked by heading directly to their website here.

Our visit included a gifted discount on the full price but that hasn’t influenced the above review.

Envelescape: Thornbright Mansion Chapter 1 | Review

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Envelescape Review: You and your party of property investors are eager to view the illustrious Thornbright Mansion that has just gone up for sale, but not everything is as it seems. Strange damages, missing documents, and cryptic notes alert you to something far more sinister inside this home.

Date Played: February 2022
Time Taken: 25 minutes
Number of Players: 3
Difficulty: Very Easy

Envelescape is probably best known for running a Kickstarter way back at the start of 2023. Fully funded within one hour, it ended up raising 71 593 CA$ which meant success – the project would be brought to live. Fast forward to a year later, and one of the creators reached out inviting us to play. Though I’d missed the Kickstarter myself (*shakes fist at the universe for always being broke in January*), I was excited to play the game in it’s fully realised, shiny, pop-up form.

Envelescape has done an excellent job of building up a community. From a team of fairly unknown game designers, to hit the big numbers in Kickstarter and be as popular as they have been in the months since, a big round of applause! To say we were excited would be an understatement. And so, on a bright Tuesday afternoon, I invited 2 of my favourite puzzlers round of an evening of ‘envelope’ games – Including Scarlet Envelope, Enigmailed, and Envelescape. For no particular reason, we went with Envelescape first. In hindsight this was the right thing to do, as Envelescape, being vastly easier and quicker to play than the other two, warmed up our brains in a fast paced 25 minutes.

I wasn’t sure if 25 minutes was right, since the Kickstarter suggested 60 – 90 minutes, so in true The Escape Roomer form, before writing the review I handed the game to one of my fellow writers here for a more balanced opinion. How long did they take? 15 minutes, solo. So, it’s a quick game. But why? Well, it’s easy – but is it too easy? Maybe yes. Let’s get into why.

Image (c) Envelescape

Welcome to Thornbright Mansion

Envelescape is a fairly non-linear game set in a small ‘pop-up environment’, representing the front hallway of Thornbright mansion. There’s a web-portal with six images on it, representing the six puzzles to be solved in the environment. You can more or less do these in any order, although the solutions for some of them may help with later ones. But in all, the flow of the game was straightforward. We looked at the 6 images, found where they were in the house, solved the puzzle, inputted our answer, and then opened an envelope. Inside each, a scrap of paper such as a letter, or a receipt. Some of these papers were puzzles in themselves, but most were narrative – carrying the story along. Rinse and repeat until you’ve solved all 6.

Of the six puzzles, we found most of them self contained, and very easy. For example – light spoilers incoming – one of the puzzles was a riddle written on the floor. This riddle wasn’t well hidden, in fact, due to the way we opened the game, it was actually visible to us from the beginning. It was also a well known riddle we’d seen countless times before. Before we read the introduction, one of our party had already solved the riddle, citing that they’d seen it on one of those Facebook “Can you solve this brainteaser” posts earlier that same week. What you see is what you get. In this specific case, the whole puzzle was contained within the one riddle, and this rule held more or less the same for the remaining 5. No secret step 2, and no hidden layers.

At the 10 second mark of the game, we were 1/6th of the way through the game… That’s got to be a record, right?

“But what about the story, the materials, the fun factor?” I hear you ask!

Paper Ghosts, or Something Scarier?

Since we solved all the puzzles quickly, the bulk of our gameplay was spent reading the materials. Between the three of us, we took turns reading each of the materials in silly voices, putting on affectations of the characters in the house. The house was full of curious characters, and we loved bringing them to life. For sure, there isn’t a huge amount of reading. There’s an introduction, and then the additional information supplied by the materials in the envelopes… But despite the few materials in this game, the creators managed to communicate the story quite well! A certain aura of the creepy, the mysterious, and a touch of the macabre. A mysterious old house, and you – a team of property investors coming to investigate. But with documents missing, and strange scratches in the wall… What is going on?!

Well… I don’t know.

Unfortunately this is the first chapter, so we were left with more questions than answers by the end. A cliff hanger? Gasp!

I have a theory about what is really going on in the house, and if I’m right, I have to congratulate the authors on seeding little clues in this first chapter. But until that time, we’re left wondering.

Image (c) Envelescape

A Physical, Tactile Experience

So how does Envelescape look? How does it feel? Well, it’s a small tactile pop-up room that fits down into a small envelope. It’s made from a sturdy card stock and glossy laminate. Our particular copy of the game had to travel a really long distance from Canada to the UK. It had some slight damage on arrival – bent card, and the envelopes inside looked like they’d jostled around a little too much. But I can’t fault the creators for that since that’s outside of their control.

In terms of illustrations… Envelescape is super bright and visually very fun! The illustrator did a really lovely job of bringing a spooky old house to life, with a blocky, cell-shaded cartoon-like veneer. It’s really pretty. I love pop-up games, and I doubley love them when you can tell the creators have put a lot of love into making them visually impressive.

However, if you want to really enjoy and take in the lovely illustrations, you’ll have to be quick. There was no mechanic in the game to keep the pop-up scene open, and so one of us always had to keep their hands on the game holding it open manually whilst the other two people solved. We tried using our mobile devices and pins to keep it open, but the process was a little clunky, and the game didn’t feel built for anything other than holding it open with your hand. In the end, taking some photographs and viewing them from our mobile device rather than try to wield the pop-up scene worked best for us. For a pop-up game, this was a little disappointing and felt like a big oversight. For such an impressive and good looking game – I want to show it off! It would look beautiful open on my board game shelf, and it should really stay open on its own. Perhaps there’s an opportunity in the future for the company to sell a stand and pushpins to use to keep their game open?

But that brings me to the second thought our team had, and that was: Why pop-up?

Don’t get me wrong, I love pop-up games, but we definitely felt that besides looking ‘behind’ objects, there wasn’t anything in the game that particularly lent itself to pop-up mechanics, and the pop-ups themselves were fairly basic. A pop-up flight of stairs, and two cupboards. The rest was a flat illustration. According to the Kickstarter, the game was designed to recreate the physical feeling of being in an escape room, but we thought that besides one moment in the game (a moment we accidentally bypassed anyway) the game didn’t need to be pop-up at all. It would have worked just as well on a single, printed piece of paper, or as a digital point and click game.

If that sounds like a criticism, it isn’t meant to be. I love that they had a cool idea and decided to render it in something that (at the time) not a lot of companies were doing, it makes Envelescape unique and marketable. But pop-up environments are meant to be immersive. They’re unique and rich with opportunities for really creative puzzles that don’t fit into other mediums. I would love to see Envelescape take better advantage of this and create puzzles that only work in this environment.

The Verdict

This game has a lot of good points, and an equal number of areas we felt slightly disappointed in. I think we all thought the game had more potential, however any company’s first game is always going to be a bit of test run (I would probably die of embarrassment if someone wrote a review today of the first few games I designed and published) . With this first chapter of what I hope is a long and successful series, the creative team probably knows what works and what doesn’t work, and I’ve no doubt they’ll carry the learnings well into the next. I’m actually really excited to see what Envelescape do in the future. It’s clear the company has fantastic ideas, a dedicated and talented team, their first game was fun – it just needed more. And players wanting ‘more’ of a game is an excellent problem to have!

As a final note to this whole review, as someone who is a game designer who works on pop-up puzzle games myself, I thought long and hard about asking one of my co-writers to lead on this review instead. But after weighing up the pros and cons (and since all of us who played broadly agree on the verdict), I decided that actually my background gives me a good experience, perspective and a certain authority to talk about pop-up puzzle games as a medium. What works, what doesn’t work – and what has big potential. I recognise the hard work Envelescape have put into Thornbright Mansion (god knows it’s hard making a game like this) and I would applaud them for it. I’m excited to see what they come up with next.

So do we recommend this game? Yes! Support the company. Support creative people with a vision and the drive to create it. Support pop-up games. If you want to support Envelescape, consider buying Chapter 1 on their website here.

Please Note: We received this experience for free in exchange for an honest review.

Natural History Museum: Mystery at the Museum – The Search for Dippy | Review

Posted on October 30, 2022 by Karen Myers

Mystery at the Museum: The Search for Dippy Review | The year is 1905 and you have been invited to a special preview of the newest display at the Natural History Museum – ‘Dippy the Diplodocus’. But when you arrive the curators are in a panic and you realise something is amiss – you’ve found a note that tells you several parts of Dippy the Diplodocus are going to be stolen before the display opens! Follow the clues around the Museum, question the suspects and track down the culprit before the King arrives for the display’s launch. Can you help the curators prevent a national scandal?

Date played: October 2022
Time taken: 90 mins
Number of players: 3
Difficulty: Easy-Moderate

Night at the Museum

Courtesy of the Trustees of the Natural History Museum London

Which of us wouldn’t leap at the chance to sneak around behind the scenes in a museum after the public have been ushered out and the doors locked behind them? And when that museum is London’s Natural History Museum in South Kensington the appeal is even greater. London’s museums and galleries have long embraced the idea of late, after dark openings with extra access to exhibitions alongside bars and live music. But the NHM’s ‘mystery’ evening might be the first time a museum has allowed eager ER enthusiasts and puzzle hunters to roam its corridors in search of suspects and solutions. Trying to temper my excitement that, at nightfall and behind closed doors, the exhibits might come to life for me as they did for Ben Stiller, I headed down to South Ken to find out if my detectoring skills were up to solving the mystery at the museum.

Impressive Game Space

Courtesy of the Trustees of the Natural History Museum London

First up, wow. Just wow. When we arrive at dusk the Natural History Museum is looking glorious in the gloaming. It really is a stunning piece of Victorian architecture which lives up to it’s ‘Cathedral of Nature’ epithet. Entering under the main arch is thrilling when you realise that you’re really about to have this vast space to yourselves for the evening. Well, you and probably 75 other people. And only a few of the galleries. But still. You still feel… special.

But if there’s anything that’s guaranteed to make you feel insignificant rather than special it’s the humungous skeleton of a blue whale that greets you as you enter the central Hintze Hall. Suspended dramatically from the ceiling and lit up in startling red, the whale certainly draws your attention. There’s not much time, however, to feel the vast inferiority of the human species because as soon as you arrive a game card is pushed into your hand and you are whisked off to meet Inspector Lestrade. The game, it seems, is already afoot.

Prehistoric Puzzling

One word of warning – although the publicity for this event promotes it as an ‘escape room-like game’, it is most definitely not an escape room. Arrive expecting an ER and you will be disappointed. Attempt to rummage around the museum, opening drawers and searching cabinets as you would in an ER and you’re likely to be expelled! But while it isn’t an ER that doesn’t stop it being a whole heap of fun.

To get started you need to read the game card you were given on arrival. It outlines the mystery that faces you. The unveiling of the new exhibition featuring the skeleton of Dippy the Diplodocus is due to take place tomorrow. But a suspicious note has been found, suggesting a crime will take place before the grand opening and which could plunge the museum into unwanted scandal. The game card also gives you the names and brief bios of six suspects who have been ordered to stay in the museum by Lestrade until the case has been closed.

Courtesy of the Trustees of the Natural History Museum London

Lestrade also gives you a copy of the note and your next task is to decipher it. This is really the only actual puzzle involved in the game and it’s not especially hard but does get you moving around the galleries that surround the main museum hall. And stopping to ask a few of those suspects some penetrating questions along the way will also help your case solving.

Because this is mostly about interacting with those suspects. It’s really a traditional ‘whodunnit’ and you will get the most out of your evening and the event if you spend time grilling the suspects (whose period costume makes them easy to spot) and honing your theories. You can question them as often and for as long as you like, or listen in as other players ask their own questions. Although they may tell you a few lies, they will also give you some nuggets of truth and if you can unpick their elaborate webs of accusations, fabrications, deflections and evasions, you might just be able to work out, in the words of Mr Sherlock Holmes himself, who had the “means, motive and opportunity” to commit the crime.

Dippy’s Dino Denouement

Once you’ve solved the opening puzzle, interrogated your suspects and worked out a convincing theory you can take your hypothesis and test it on Sherlock. Holmes solved the mystery in 17 minutes himself so he’s happy to throw you a bone or two if you’re not quite on the mark. And if, after a couple of guesses, you’re still not 100% correct, Holmes will take pity on you and give you the full story. Because no-one wants to go home without knowing who really did design to destroy Dippy’s debut.

The Verdict?

Overall, if you approach this as a mystery solving game along the lines of a traditional murder whodunnit then you will have loads of fun. The mystery is sufficiently knotty to keep you questioning suspects and untangling theoretical threads for well over an hour and, for the adults, there’s an in venue bar to keep your whistle wet and your mind sharp. Full kudos to the actors playing the suspects who handle even the most obscure of questions with aplomb, keep in character throughout and manage to retain details of the multiple narrative threads all while dropping gentle hints and prods to get you moving in the right direction. And the venue itself, the access to certain areas of it after hours and when it’s empty of tourists, is worth the price of admission alone.

A few minor niggles. Any expectations of difficult tradition ER puzzling will be disappointed and I think, personally, that they should remove the reference to an ‘escape room-like game’ from promotional material and instead focus on the massive positive of it being a strong mystery-solving evening. Those ER players who don’t enjoy engaging with live performers will want to steer clear as well. Talking to the actors throughout is the only way to play this game.

There were also some weaknesses in communication that left us unaware we had to take our final conclusions to Holmes to be checked. It was only when we eavesdropped on other groups that we realised. And there’s no satisfyingly dramatic conclusion when the culprit is officially unmasked. Because the event has a staggered start time with groups arriving and getting started throughout the evening, everyone reaches their final answer at different times. Once we’d reported to Holmes, that was it. Game no longer afoot. So the evening sort of petered out.

We had a fun evening though. Not too strenuous on the little grey cells, but a nice little mystery to solve in a fantastic location.

This event runs for a limited number of days in October and November. Book via the Natural History Museum website here.

Courtesy of the Trustees of the Natural History Museum London

Local Bonus

If you want to get into a suitable detective frame of mind before the game, or want to continue afterwards, then I highly recommend a visit to the Evans and Peel detective agency (about a 15 minute walk away). A secret speakeasy bar with a fantastic, and inventive, cocktail menu, you need to provide a good cover story before you can gain access. The more imaginative and bonkers the better. It’s advised to book.

Evans and Peel Detective Agency, 310c Earls Ct Rd, London SW5 9BA

Compendium Bury: Laboratory, Bedlam, Wrong Turn | Review

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Date played: March 2022
Time taken: 48 minutes / 46 minutes / 45 minutes
Number of players: 2
Difficulty: Easy / Hard / Medium

As someone who lives in London, I don’t often get the chance to venture ‘up north’, but there are quite a few companies that are making a name for themselves! Just outside of Manchester (an easy tram ride away) is the small town of Bury, home to “Compendium Escapes”. We decided to tick off all their rooms at once, so here I’m covering the first three, and leaving their award-winning final room for a post of its own!

Compendium: Laboratory | Review

You and your friends have been given the challenge to find and steal a Laboratory’s TOP secret remedy needed to cure a deadly disease. You have been entrusted with all the information you need to gain entry to the lab but no idea how to find the antidote undetected and once inside you find yourselves trapped. Do you have what it takes to save lives and escape the lab with the antidote?

When we entered the lab we found ourselves in a relatively large, clean room with plenty of science-y artifacts lying around. The premise is simple; locate and recover the antidote for the deadly pandemic that is ravaging the planet (I swear this was launched long before Covid-19). We immediately split up and started searching for clues, locating a number of interesting items and numbers dotted about. The decor in the room was great – it played into the theme and there quite multiple times when something which initially appeared to be a prop turned into a key puzzle!

Image (c) Manchester Evening News

This room is often said to be the best room for families, and I can see why – the room is full of bright colours and varied puzzles, with most puzzles within reach of small hands and some exciting little spaces to explore. The only issue is that the one main puzzle in the room (to access the parts of the antidotes) would not be possible for younger children, and indeed was not possible for me at 5ft3! However, the GM handled this really well, and let us off as he could see we had made quite a few attempts, but just physically couldn’t manage it. If this had been later in the day I can imagine this would’ve made us quite frustrated, but as it was we brushed past it and chalked it up to a slightly annoying thing.

Accessibility (Spoilers!)

The location isn’t very physically accessible, being up some quite steep stairs, but the room itself has a chair to sit in and is well lit. There is some reliance on colour, and that pesky physical puzzle. Hints are given via a screen, so otherwise no reliance necessarily on hearing.

Compendium: Bedlam | Review

Bentham Asylum has been standing since the 1900’s. In 1950 Bentham was given the nickname BEDLAM because of the events that happened in those 50 years, In 1974 Cell p23 was mysteriously locked without an explanation as to why. Bedlam has secrets that need to be uncovered. You and your team are the top journalists in your field, you have been tasked with uncovering the secrets that are held behind Cell P23’s walls. Can you go undercover, get in the cell undetected and escape with all the documents that will uncover the secrets of BEDLAM?

I am really not a horror fan. I am a massive coward, so the idea of doing not just one, but two ‘scary’ rooms was a little daunting. However, we spoke to the Compendium team prior to booking who assured me there would be no live actors or jump scares, so we went ahead and booked. Bedlam definitely fits into the ‘creepy’ and suspenseful area of ‘scary’, with atmospheric background music/sounds that felt extremely immersive. I actually found myself really enjoying this! The combination of dingy lighting, a chair with handcuffs, and random screams in the background helped set the mood and get the adrenaline running before any puzzles have taken place.

The room itself is very small – we played as a duo, and I’m not sure I would’ve wanted to play with anymore! Despite this, I was amazed by how much Compendium have fit into this space, and we were constantly surprised by certain discoveries. There are so many hidden areas carefully blended into the padded walls that we really had a sense of excitement and never knew what was coming next.

The puzzles were a fantastic example of thematic design – they all fit the theme perfectly, and to a certain extent helped carry the narrative too. They were fairly non-linear (I know there were a few puzzles I never saw), with a couple that also required some team cooperation. None of the puzzles frustrated us, and all the logic made total sense. There were also some really interesting mechanisms used for these puzzles, but I don’t want to spoil anything!

Accessiblity (spoilers!)

Like all their rooms, this is very much not accessible. Obviously, you need to climb up some steep stairs to reach the room itself, but there is a chair within the room. There is the requirement for at least one team member to be happy with crawling and small spaces, although this really isn’t the room for anyone with claustrophobia given the general size. The room was fairly dim, but we found a torch which helped!

Compendium: Wrong Turn | Review

You and your friends are driving along route 66 when you notice your gas running low, a friend suggests to make a turn at the next set of crossroads to see if there is a gas station… you don’t find a gas station but decide to explore the one place you have discovered by taking that WRONG TURN…. Will you escape or will you spend your life regretting that wrong turn?

The third room we did at Compendium was another ‘scary’ room – this time we entered the home of a serial killer. Once again we confirmed there were no live actors or jump scares, but unfortunately, there were plenty of mannequins (which is my specific phobia). The team were great though, and removed what they could, giving my mum a warning of where others were so she could deal with them for me. That aside, this room was fantastically creepy in a different way to Bedlam. Rather than screams, the soundtrack was instead an old fashion song and commercial, and the room and set dressing were just off enough to be unsettling.

Image (c) Manchester Evening News

Rather than entering into the lair directly, we instead found ourselves in an old-fashioned kitchen off Route 66. At first glance, nothing seems amiss, but look a bit closer and you realise that maybe things are not as they appear. The set dressing here was excellent, with a lot of relevant props and accessories to investigate, but not so many that they would count as red herrings (and none dressed as puzzles). The difference between this room and the lair (when you discover it) is very stark, and quite horrific (as you might imagine).

The puzzles themselves were a bit trickier than the other rooms, but still had a great flow and were fairly non-linear. I really appreciated the need to hunt for items and keep track of these throughout the room, as well as the requirement to move between the kitchen and the lair. The space is also a lot bigger than initially anticipated, with a great sense of atmosphere. There were also some unique physical puzzles here, which I quite enjoyed!

Accessibility (spoilers!)

In terms of accessibility – again, steep stairs to the location, but chairs inside. There is a requirement to be able to crawl to reach the lair, and there are some smaller, darker spaces to be aware of. You will need to be able to differentiate colours for this room too.

Compendium, The Verdict

I think Compendium is a fantastic company, who clearly pay close attention to all aspects of room design. I have written a separate review about their final room, UI-55, which is currently my number 1 room. Out of these three, I enjoyed ‘Bedlam’ the most, followed by ‘Wrong turn’, but that’s probably my cowardice talking. I would say you shouldn’t be put off my the scary aspect of either room though, as they are worth playing!

The team at ‘Compendium’ are also fantastic – we spent a long time chatting with them and they are top-notch. Given we booked all 4 rooms they’d actually ‘closed’ the place for the day, so we could be a bit relaxed about timings and decide when we wanted to play each room. This gave us time to grab refreshments between rooms, and decide on our lunch break, rather than either rushing out of one room and into the next, or else sitting around in a long gap. This was a little touch that was really appreciated and so unexpected. I also just enjoyed talking to them in general, as they are clearly passionate about what they do (which shines through in the rooms) and so we spent a while comparing and recommending rooms to each other! Compendium is definitely a must-visit for me.

These rooms can be booked on the Compendium Bury website.

Layered Reality: The Gunpowder Plot | Review

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The Gunpowder Plot Immersive Review | London, 1605. A city divided. The fuse of rebellion is lit. The peace of the nation balances on a knife edge… Step into a world where spies and informants hide in every shadow. Your mission is to go undercover and unmask the mysterious figures behind history’s most infamous plot. But when you’re surrounded by ‘traitors’ who can you trust?

Date Visited: 17th July 2022
Number of Players: 3
Time Taken: ~120 Minutes

Remember, remember the 5th of November… Gunpowder, Treason and Plot! For I see no reason why Gunpowder Treason should ever be forgot.

The Gunpowder Plot Immersive is London’s newest immersive experience created by the award winning team behind War of the Worlds Immersive, and located in the iconic Tower of London vaults. From the very moment the experience was announced months ago, we were very excited. Layered Reality have built up an excellent reputation of blending immersive theatre, actors, jaw-dropping set design, all to tell brilliant stories.

As such, it’s not really your ‘typical’ escape room experience, but since most of us are big fans of the immersive, anything with Layered Reality’s name stamped on it is well worth checking out. Layered Reality experiences differ from other immersive theatre as your experience is guided by a series of actors around an environment and the story plays out around you as mostly-passive viewers. But unlike regular theatre, you’re thoroughly in the thick of it. Take care to notice all the little details and interact wherever you can. You won’t regret it.

But how did their newest immersive experience, Gunpowder Plot fare? In this joint review between Georgie, Mairi and Karen we’ll pick apart what worked, and what might not have worked so well, and who we recommend this for.

Let’s Dive into the Past…

Mairi: If in doubt where Gunpowder Immersive is located, look out for the enormous Tower of London. Yep, that one! This experience is located quite literally underneath, and accessible via a well-signed doorway near the All Hallows by the Tower church. It’s conveniently located right near a train station, many bus stops, and plenty of other iconic tourist attractions, cementing itself squarely on the “must see” list if you’re a tourist visiting London who also wants to sample some of the local history.

Georgie: From the moment we walked in, Gunpowder Plot felt immersive – we made our way down some stairs into the start of the vaults, where we were offered lockers and guided to the dungeon-esque themed bar. Once our group was called we were led to the ‘briefing room’, which is where the experience begins. Our host launched into a partially themed- partially factual briefing about who we were, where we were, and what to expect. She did a fantastic job of separating the initial, ‘admin’ information from the more dramatic introduction. This introduction really set the scene for the experience to come, and even as someone who knows the history fairly well, I learned some new facts about the context of the plot, and some of the reasoning behind it.

Remember, Remember…

Georgie: We were then guided through the experience by ‘the wick of rebellion’, which is in fact a firey-themed light that surrounds the doors to move through. Helpful to know where to go and this fitted really well with the theme in the dimly lit corridors!

From the first room, it is obvious what is meant by ‘immersive theatre’ – we found ourselves in the cells of the tower, meeting a prisoner and hearing his tale. He told his story through words, action, and the environment. Although you are not expected to be particularly active (which suited me well) and were largely there to observe.

This first room did an excellent job of laying out the story, why we were there and giving us a taste of how the rest of the experience would pan out. It was also a great introduction to the live actors, who were superb throughout. I will also say that despite all the many warnings we read in the waiver, there were no jump scares or unnecessary scare tactics, which I greatly appreciated!

Mairi: And what a story it is too! As we explored each environment in a larger group of around 12-20 people, the story of the Gunpowder Plot diverged a little from what I had expected, with brilliant consequences. We won’t go too much into the actual tale since there’s an element of choose-your-own adventure and some delightful moments of surprise, but we really enjoyed the story aspect of the experience. Characters flitted in and out of the experience and much later we’d be reunited by characters we thought we’d abandoned earlier.

…The 5th of November

Georgie: Throughout the experience the low lighting, small spaces and eerie soundtrack keep the sense of atmosphere and immersion. The actors did a great job of flawlessly handing over the narrative to subsequent characters, keeping the story moving and never leaving us alone for too long. The story was really engaging and fascinating as it developed, and they did a fantastic job of showing both sides of the story (and their rationale). The location itself is huge, with seemingly endless corridors and vaults to move through, with authentic sets and surprises round every corner.

Mairi: If the experience sounds large, I’d add that it is well paced! With a bar at the start, the end, and one right in the middle, the whole experience is broken up into ‘bitesized’ chunks. In particular, I loved the middle ‘rest’ area, a much needed break. Players were sorted into various tables made up of your own friends and family, and total strangers. We quickly realised there was no such thing as a stranger in this experience however, as we all jumped right into conversation, speculating about what would happen next and what had already been. With a plot this thick with backstabbing an intrigue, there’s a lot to mull over a pint (or two, if you have the time).

The Past meets The Future

Georgie: One of the features that sets this experience aside from others is the use of Virtual Reality (VR) technology. At 3 separate points we were asked to put on a VR headset to experience a facet of the story which would be hard to create otherwise, removing the headset to find the room somehow transformed or a new actor appeared. I have previously felt motion sick when using VR, but fortunately didn’t feel anything like that here, so I was able to full enjoy the experience.

The first two Virtual Reality segments are accompanied by a moving element, and again there were no fake scares, just excitement. The final experience allowed us to free roam a little more, although this wasn’t made clear so anyone not familiar with VR may not have known to do this. The VTs also featured an amazing performance by Tom Felton, who has proved what an incredible actor he was. In reality, and in the virtual space!

Mairi: Agree! Virtual Reality is something Layered Reality does really well! Unlike War of the Worlds Immersive however, I found there to be slightly more VR. Where Layered Reality’s first experience often creates more physical sets, like slides, or moments where you have to jump, due to the physical limitations of it’s location, Gunpowder Plot leans more into the VR. No bad thing – just a consideration! If any player struggles with VR, they can bypass these sections quite easily.

Finishing the Tale

Georgie: Just to jump back to the story, we’re going to attempt to talk about the ending without giving away too many spoilers, although given this story is over 400 years old I think you probably know what happens. The final room features the peak of the drama, followed by the final dramatic VR. From here we were guided to the exit, with a really excellent video explaining the factual and fictional aspects of the experience. I really enjoyed this little wrap up, and nod to the story.

Again, they did a great job of highlighting the contrasting moralities and beliefs at play, whilst mainting the elements of mystery we still don’t know about. There is a classic photo opportunity too, although this will cost you a little extra.

Mairi: One thing players may not be expecting however is that you are given a choice at one point in the game. I’m unsure how much this choice actually affects the ending – probably not at all since, well, we all know what happens. But convincing the rest of your team to make the ‘right’ choice will certainly ease your conscience, so you can emerge back into real life afterwards knowing that you did all you could.

“Poor old England to Overthrow”

Georgie: I had a great time, but there were a few small parts I didn’t like as much, which it’s worth being aware of ahead of time.

Firstly, there was little in the way of interaction – most of the time a character might ask you a simple yes or no question, or tell you something which you also immediately tell another character. It felt more like watching an (admittedly amazing) play than taking part ourselves. Where there was a decision, it definitely wasn’t unanimous and I think the cast could have done a better job of ensuring this was (something like raising hands, giving our group of strangers more than a minute to decide, or even just realising the signs for it not being unanimous). Even then, as Mairi mentions, I’m not convinced the decision had any bearing on the experience other than maybe a line or two spoken by an actor.

Mairi: Also, since this is The Escape Roomer, we have to mention the puzzles. There was also only one ‘puzzle’ in the whole experience so don’t go into this thinking it’ll be puzzly! Although, to be fair, that is one more puzzle than you’ll get in The War of the Worlds. For me, The War of the Worlds still takes the cake as my absolute favourite immersive experience in London, but Layered Reality have taken the same formula and done something slightly different to a different effect here.

Georgie: In terms of the VR, there could’ve been a bit more of a briefing about how to use it. For example, in the last area, you could move around – but none of us knew this fact and stayed rooted to the spot, potentially missing a part of the action.

Finally, Tom Felton’s performance was amazing, but all virtual. This wasn’t exactly surprising, knowing he’s currently appearing in a different play in the West End, but as he played such a key character it obviously presented a conundrum. Rather than subbing in a different actor and asking us to suspend our belief, we are instead presented with someone covering their face and using a speaker to broadcast Felton’s voice. Unfortunately, the effect was more of a robotic-cowboy-scarecrow rather than a heroic-villainous character, and it could have been handled better. It also got in the way of the final scene a little, which already felt fairly chaotic without this.

A Note on Accessibility

Mairi: If anyone has any hesitation on accessibility, Layered Reality have produced a full access guide here. Whilst the base experience doesn’t feel like it would be accessible to folks in a wheelchair for example, it’s worth noting they do offer special performances which are geared towards accessibility, such as the wheelchair performance. For any other requirements, they encourage players to reach out to them directly.

Mairi: There are a lot of stairs and small spaces to fit into, so a reasonable level of physicality is necessary. Most of the experience is dimly lit, with an atmospheric sound track. Most of the actors project well, although I admit I, as someone with hearing impairments, missed a few things I wouldn’t say this was necessarily essential. Given it was an extremely hot day, the rooms were nice and cool.

The Verdict

Mairi: Gunpowder Plot Immersive is a really unique experience. For me, it’s impossible not to compare it to The War of the Worlds which, I’ve said before and I’ll say again, is my favourite immersive experience in London. By contrast, Gunpowder Plot has a more mass-market appeal. From tourists wondering what Guy Fawkes night is all about, to locals who want to be immersed in history in an iconic building. It’s target audience is clear. Whilst that target audience might not necessarily be the overlap between escape room enthusiasts, I personally had a great time!

Georgie: Once I realized there would be no jump scares or unnecessary scares I was able to relax and enjoy myself. I had a really fun time – it was very immersive, did a fantastic job of bringing the characters and story to life, and was a very pleasant way to spend some time in a historic location. I’m not sure I would’ve felt the same had I paid the full price (around £70 per ticket), but then again I’m not sure what the average immersive theatre ticket goes for in London, and I imagine I enjoyed this more than I would enjoy them!

The Gunpowder Plot Immersive may be booked by heading to this website here.

Breakin’: War on Horizon Alpha | Review

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War on Horizon Alpha Review | With the expansion of the human race on other planets, an oppressive regime has risen to power and instated a dictatorship on the Colonial Republic, the dreaded Alpha One faction. You and your team are part of a rebel alliance trying to overthrow the regime and reinstate democracy. A massive assault will take place on the Horizon Alpha space station, serving as the Alpha One headquarters, which aims to destroy it, thus sparking a revolution on all planets. Your mission is to infiltrate the station and deactivate the shields in time so that the assault may be successful. Without the shields down, the entire offensive will become a suicide mission. Good luck, you are the galaxy’s only hope!

Date Played: June 2022
Time Taken: 55 minutes
Number of Players: 2
Difficulty: Medium

It’s official! I’ve now played every single escape room at Breakin’. Which is why I can safely say that War on Horizon Alpha is the most “meh”. Don’t get me wrong, I love a sci-fi theme. Even more love for a sci-fi theme that’s clearly inspired by Star Wars. But there was something about this one that didn’t just click for us. A little tired, a little broken, and more than a few puzzles that I’m still not sure I understand even now, weeks after playing. That’s okay, not every room is for every person. I preferred Wizarding School or Heist Plan, but you might prefer this one.

Never Underestimate a Droid

The first thing you’ll notice when you walk into War on Horizon Alpha is an enormous R2D2. Or should I call it the IP skirting D2R2? Haha. The second thing you’ll notice is a huge amount of buttons. War on Horizon Alpha is a single-room escape room so pretty much everything you’ll interact with is right in front of you and it’s… A lot! There’s an enormous panel of buttons and screens and 99.9% of the buttons do absolutely nothing and there’s not much to indicate which are the ones you’ll need and which aren’t. Oh dear!

But, once the first hurdle of figuring out where to start (which we ended up spending our first clue on 10 minutes in), we were off to a flying start! As with most Breakin’ rooms, this one was fairly linear which suited our team of 2 quite well. We worked together on everything and progressed at a steady pace through the spaceship.

The cool thing about the room was the sci-fi vibe of it. It was a bit of a tight space but it was also clear a lot of care and attention to detail had gone into the set once upon a time, which by now is the good quality set design I expect from Breakin’. They know how to make a good atmosphere. Think neon glowing lights and blinking buttons and a fun musical track that ramped up in excitement as we headed towards the climax of the game.

We asked for a record breaking number of clues and many more of those clues either led to puzzles that were broken or things we found so illogical we had to be given the answers for them. We also wasted a good 20 or so of our minutes ‘solving’ a puzzle that was on full display but wouldn’t actually activate something until the very end of the game. So when we then got to the end we looked up at the camera like “we’ve already done this please don’t make us do it again“.

Once our GM had taken pity on us and given us the final answer, the game came to an abrupt halt and our host appeared to ask how we found it. We asked a million and one questions about all the things that didn’t make sense (there were a lot), had our photo taken, and were hurried out of the building without so much of a goodbye. It wasn’t the usual Breakin’ experience I’m used to, but everyone has an off day and every room loses it’s magic eventually.

The Verdict

Overall, not my favourite room. Lost points for puzzles and general wear and tear, but earns points for a fun sci-fi theme. I felt a little bad about it as we booked this room for my birthday and as one of the final rooms to play in London before moving out of the city. But as I say not every room will click with every team and that’s just the luck of the draw when you try a new room!

If you love Star Wars and sci-fi themes and a particular style of puzzle, you’ll probably love this. We’d loved everything else at Breakin’ so far, but this one was a miss for us. So if you do book this room, be sure to book a couple of others at Breakin’ at the same time to experience the full magic the company has to offer!

War on Horizon Alpha can be played by booking on Breakin’s website here.

Breakin’: The Flying Dutchman | Review

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The Flying Dutchman Review | Avast ye! Tell me, shark-bait, have you heard the legend of The Flying Dutchman? That dreaded ship captained by the sea-devil Davy Jones and his undead pirate crew? You’d best start believing in ghost stories… you’re in one! After your ship sinks in a great tempest you awake aboard the Dutchman. If you don’t escape before sunrise you’ll be trapped aboard her forever. Legend tells of a mythical diamond – the Heart of Calypso – which can break the curse. It’s hidden somewhere on the lower decks. The sun rises in an hour. So shiver your timbers, swash your buckles, and batten down the hatches. You need to discover the diamond to escape the ship and a watery doom!

Date Played: May 2022
Number of Players: 6
Time Taken: <30 Minutes
Difficulty: Very Easy

My favourite thing in the whole world is introducing new friends to escape rooms. My second favourite thing in the whole world is when they love the escape room and spend the whole time laughing and having an absolute blast.

For me, The Flying Dutchman at Breakin’ Escape Rooms was a perfectly ‘okay’ escape room. For the friends I took with me to play this one, 4 people who had never ever played any escape room before, they loved it. This makes The Flying Dutchman a fantastic ‘entry level’ room to bring your puggle friends to. It perfectly encapsulates what an escape room is with a mix of physical and mental puzzles, but isn’t in the slightest bit challenging meaning that even the most beginner of teams will ace through it and feel extra smart.

A Pirate’s Life for Me!

The story of The Flying Dutchman is your classic pirate ship escape room game. You play as a team of pirates who find themselves trapped on the dreaded ghost ship – the Flying Dutchman, captained by Davy Jones. Your ship has sunk and you’re trapped on this one with just one hour to try to escape or else you’ll find yourself in a watery grave too. Nothing like a little pirate themed peril to get the excitement going.

The setting was a large and well-furnished pirate ship. Think wooden floorboards, cannons and cannonballs, ropes draped from the ceiling and a big ol’ pirate ship wheel in the middle of the room. At first glance, especially compared to someone of the other escape rooms at Breakin’ you might think “this is is” but there’s a couple of sneaky extra spaces hidden around the environment making it slightly larger than you first expected. Though be warned – some of those extra areas are very small and very cramped!

Your goal is the simplest: Escape. And what follows is a somewhat linear series of puzzles to get you from A – locked in the ship to B – escaped!

Pirate Puzzles

For me, I’d definitely put this room in the category of “very easy”. We took zero hints and didn’t pause for even a single second. When taking new people into a room I’m always a little worried about solving things and jumping ahead with prior knowledge, so resigned myself to taking more of a backseat role. But in The Flying Dutchman this wasn’t needed, the rest of my team flew off to a flying start with no nudges from our Games Master, or even no need for me to step in and put my “escape room hat” on.

As mentioned, there was a mix of different puzzle types. They were all fairly well themed within the pirate universe, and a mix of ones that we triggered ourselves, and ones that we could tell the Games Master triggered for us. One puzzle, towards the latter end of the room was a very dexterous, manual puzzle which was a bit of a bottleneck for our very large team. With only two people able to complete the puzzle at one time, and multiple steps and chances to go wrong, the other four of us found ourselves standing around a little bit longer than we might have liked. But after 10 minutes (1/3 of our whole game time) passed, I spotted a sneaky hack that got past the slightly more boring part of the puzzle and skipped us closer to completion. Do I feel guilty? Yes, yes, a little bit. But if a puzzle is meant to be un-hack-able, it should be designed as such.

Besides this, the game was enjoyable from a puzzling point of view. There was a distinct absence of padlocks. Instead the room was surprisingly a lot more high tech than expected for a pirate themed room. Though that said, high tech comes with some downsides and we encountered one technological hitch with a puzzle where a door sprang open a little too early, giving us the final piece we needed to escape before we’d actually finished the game. I don’t think the rest of my team noticed so much though, and all was well that ended well since it ensured we broke out of the room with record time to spare.

If we had any issues along the way (we didn’t), in true Breakin’ form, we were given a walkie talkie that our Games Master could give us a code via. The code was input into an iPad on the wall and a hint would be displayed. This is the same as in all of their rooms, and a mechanic we are fairly used to by now. Though again, we didn’t need to use it.

Team The Escape Roomer escapes!

The Verdict

I had a good time playing The Flying Dutchman. Again, it’s not my favourite room in all of Breakin’ but it did the job and introduced a new group of friends to escape rooms. For a room best suited for a new team – the verdict is yes, that new team had a blast. For me? I found it much too easy, and a little wear and tear (to be expected after opening 5+ years ago) caused some hiccups with the tech and ease of brute-forcing a few puzzles. It’s probably what the enthusiasts call a “Gen 2” escape room. It’s a very early one, but it’s moved away from padlocks and codes as the primary source of puzzling into something much more atmospheric and immersive.

Add in a beautiful, well themed set, and it’s still a winning escape room. For the best experience, don’t bring any more than a team of 3 into the room. There just simply isn’t enough for a larger team to do. If you do choose to go in an enthusiast team, expect to escape in around 30 minutes as we did – and why not book yourself into a second room whilst you’re at Breakin? I’d recommend Wizarding School or Heist Plan.

The Flying Dutchman can be booked by heading to Breakin’s website here.

ESC WELT: House of the Dragon | Review

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House of the Dragon Review | An aging Japanese carpenter felt abandoned by his son who had left home and started a family of his own. But when a dragon came to the carpenter in his dreams and told him he still had time to bond with the grandchildren he’d never seen, the carpenter designed and built a wooden toy. The toy was a puzzle box that children alone couldn’t open so children, parents and grandparents worked together to solve the mystery of the ‘House of the Dragon’.

Date played: May 2022
Time taken: 60-90 mins
Number of players: 1
Difficulty: Medium

Puzzle Box Joy

First up, I love wooden puzzle boxes. They are beautiful little works of art. I had a money box as a kid that was a simplified puzzle box with panels that you had to slide around to find a hidden drawer with a key, then do some more sliding to find the keyhole. I loved it, even when I’d done that sliding so many times it was no longer a puzzle. I guess that was when the ER bug first bit, even though there was no such thing as ERs at the time. It also explains the little jolt of joy I get in ERs like those by ‘Escape Plan’ where they use cute little wooden puzzle boxes in place of the ubiquitous padlocks. So much of the pleasure I get from ERs is that they are safe spaces for adults to indulge in childlike play and I guess wooden puzzle boxes are a direct, visceral link between adult me and the little kid I once was.

Which is a very long winded and philosophical path to saying that when EscWelt asked us to review their latest puzzle, House of the Dragon, I jumped at the chance. I hadn’t played an EscWelt game box before, though had taken on similar puzzles by iAdventure, so was excited to unbox it.

Handmade Heaven

‘House of the Dragon’ looks and feels lovingly hand-made, a fact confirmed by a signed slip inside the box from the EscWelt bod who put it together. In keeping with the Japanese theming and narrative, with the back story laid out on a paper insert, the puzzle box takes the form of a miniature pagoda, crafted from sustainable birchwood. There’s lovely carved detailing and beautiful etching on every side, with cherry blossom tumbling down one side, and a dragon wrapped around the roof. Each side and each section has a unique design and feel and a quick scan around the box gives you the sense of multiple puzzle elements.

But Where Do I Start?

But that’s where I came a bit unstuck. The iAdventure games I’d played previously had a handy ‘start’ etched somewhere on them to give you a clue where to begin. ‘House of the Dragon’ doesn’t. It’s clearly designed to be trickier and that’s no bad thing but it can also lead to frustration. Maybe because I’m singularly dense, or maybe because I was playing alone, with no-one to bounce ideas off, I just couldn’t spot an obvious ‘way in’ to the sequence of puzzles. So I spent a lot of time just turning the box around and around in my hands trying to get an insight into where to start. Which is ok for a while but my patience did erode fairly quickly.

Let It Flow

Eventually after a bit of wiggling of box parts, I made the first step and after that things flowed a little more, although you still have to be a bit experimental and willing to try some random poking around, in some cases literally. After the first element was solved and I’d done a bit of Japanese language translation, I realised I was looking for a specific sequence (of what I won’t say coz spoilers). And from then on, the puzzle flow around the box was more satisfying and fairly slick. Constrained by the size of the box, there aren’t a huge number of puzzle elements and I probably took longer figuring out where to start than I did actually solving it all but the sheer physicality of the puzzling is very satisfying. And, like in any good ER, the revelation at the end is worth all the effort that preceded it.

The Verdict?

My minor niggles would be that lack of a clearing start point and the fact that the playability of the box is impacted by some parts being too stiff and some too lose. In some case parts don’t move easily, meaning you feel like you haven’t solved that element when you actually have. Some parts also move but have no function other than looking pretty. On my box the roof element rotated so I spent ages thinking there must be a significance to that. But there wasn’t.

However, these are minor issues in a puzzle box that is beautiful to behold. The tactile physicality of the box is the true selling point. When you can’t get hands on with an ER out in the real world, and online or paper ER type games just aren’t hitting the right spot then a puzzle box like ‘House of the Dragon’ is a treat. Sliding panels, buttons to push and pull, secret doors and secret codes. All in the comfort of your own home.

There’s a QR code system to get access to EscWelt’s tips and hints on the puzzle box and once you’re done and found out the secret at the heart of the labyrinth, there’s also a resetting video so you can play again or pass the box on to someone else. Maybe you could even hide a little treat inside and see how long it takes someone else to get inside ‘The House of the Dragon’.

‘House of the Dragon’ and other puzzle box games from EscWelt can be bought at their online store or at other online retailers.

Please Note: We received this experience for free in exchange for an honest review.

Escape Room Geeks: The Gilded Carcanet | Review

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The Gilded Carcanet Review | An ancient treasure has been said to be buried on a small island outside the coast of Turkey. Little is known about it and its existence has been heavily debated in the archeology community. Professor in archeology, Bartholomew Wilson, has always dismissed the idea as a myth. Until now.

Rating: Quite challenging and thoroughly enjoyable
Completion Time: 45 minutes
Date Played: 22nd June 2022
Party Size: 2
Recommended For: Graphic novel and treasure hunt fans

I’m currently sitting on a train from Edinburgh to London having just played The Gilded Carcanet, the newest printable escape room kit created by Escape Room Geeks. My partner and I decided to pack up the sheets of A4 so we could enjoy some puzzling on the journey, and we weren’t disappointed!

On turning the first page, we were thrilled to discover a comic book style introduction. As massive graphic novel fans, this was the perfect way to get us engaged with the story and excited to see the puzzle designs that lay ahead. The illustrations were beautiful, and the muted colour scheme really set the tone for the mysterious world we were about to enter.

First, game mechanics

The Gilded Carcanet is split into chapters, each containing a puzzle you have to solve before continuing the adventure. But this isn’t simply a “do a puzzle, turn the page” sort of game. You’ll have to refer back to previous pages and discovered items to progress in your search for the ancient treasure, which I love as it’s almost like you’ve got a trusty backpack filled with maps and journals ready to be investigated at any point.

You’re given a handy key which lets you know when you can discard certain pages, and when to continue turning. There are also icons which let you know when to fold and cut the paper, which luckily I read before we set off so I packed a pair of scissors for the road (train track?).

We were really impressed by the answer checker. You simply cross off letters in a grid you have used in your answer, and see if it matches a specified pattern. If it does, you’re right! The pattern could appear in many places in the grid though, so it’s not easy to simply guess the answer which could have been tempting if we were really stuck.

Puzzle Selection

A lot of the puzzles are logic based, requiring your skills of deduction to find the correct answer. What was great though was that these puzzles often linked with codes, maps and even some jigsaw style conundrums so you’re always kept on your feet. My love for cyphers was also satisfied, with the secrets of many mysterious symbols needing to be cracked.

I particularly enjoyed the plan of the tomb and having to use your navigation and deduction skills to find a particular chamber. As well as tapping into various brain skills, you had to use several pages to get to where you wanted to be and it felt like a real achievement once you discovered the answer.

The Mystery Unfolds

This is a very typical treasure hunt story, but honestly that’s all that’s needed here. The illustrations let your imagination flow and the quality of the puzzles shone through. I loved how we were placed in the shoes of protagonist Bartholomew, meaning we had some great interactions with our companion, Oscar and received praise throughout the game for solving puzzles. A fictional pat on the back is always appreciated!

The Verdict

We thoroughly enjoyed this game. I think the age suggestion of 13+ is accurate as the puzzles can get quite complex, but they were actually the perfect level of difficulty for a train journey. Not too easy that we fly through it, but not so hard that we bang our heads against the teeny tiny lap tables. At $29, this is on the higher end of the scale for print at home games, but there are some great multi buy offers on their website if you want to treat yourself to a bundle. All in all, a brilliant game which I wouldn’t hesitate to recommend.

The Gilded Carcanet can be played by heading to Escape Room Geeks website here.